Theater, Art, and the Cultural Revolution: A Presentation and Conversation Featuring Zheng Shengtian

Beginning in 1966, China’s Great Proletariat Cultural Revolution was a mass movement that shook the foundations of Modern China to its core. The movement’s ubiquitous presence deeply disrupted all aspects of Chinese society, and has had a lasting impact on Chinese culture that is still present today.

On March 29, Artist, Curator, and Managing Editor of Yishu: Journal of Contemporary Chinese Art, Zheng Shengtian, returns to China Institute to continue his conversation with Jane DeBevoise, Chair of the Board of Directors, Asia Art Archive, on his experience as an artist and young teacher in the Oil Painting Department at Zhejiang Academy of Art in Hangzhou (now China Academy of Art) during the Cultural Revolution (1966-1976). Their conversation will focus on Zheng’s personal experience at that turbulent time, as well as the broader consequences of the Cultural Revolution on art in China.

The discussion will be preceded by a presentation on research done by Chen Xiaomei, Professor of Chinese Literature at University of California, Davis, on film and theater during the Cultural Revolution period. The presentation will include a screening of clips from a filmed theater performance of The Red Detachment of Women.











When: Wed., Mar. 29, 2017 at 6:30 pm - 8:00 pm
Where: China Institute
100 Washington St.
212-744-8181
Price: $5
Click here to buy tickets or for more information from the venue's website
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Beginning in 1966, China’s Great Proletariat Cultural Revolution was a mass movement that shook the foundations of Modern China to its core. The movement’s ubiquitous presence deeply disrupted all aspects of Chinese society, and has had a lasting impact on Chinese culture that is still present today.

On March 29, Artist, Curator, and Managing Editor of Yishu: Journal of Contemporary Chinese Art, Zheng Shengtian, returns to China Institute to continue his conversation with Jane DeBevoise, Chair of the Board of Directors, Asia Art Archive, on his experience as an artist and young teacher in the Oil Painting Department at Zhejiang Academy of Art in Hangzhou (now China Academy of Art) during the Cultural Revolution (1966-1976). Their conversation will focus on Zheng’s personal experience at that turbulent time, as well as the broader consequences of the Cultural Revolution on art in China.

The discussion will be preceded by a presentation on research done by Chen Xiaomei, Professor of Chinese Literature at University of California, Davis, on film and theater during the Cultural Revolution period. The presentation will include a screening of clips from a filmed theater performance of The Red Detachment of Women.