Film Screening: Eat Your Children
Where: Interference Archive
131 8th St., #4, Park Slope
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Join us for a screening of Eat Your Children (Documentary film, 78mins, directed by Treasa O’Brien and Mary Jane O’Leary, Ireland, 2015)
The film will be introduced by Mary Taylor (of www.criticatac.ro/lefteast/), and will be followed by a conversation with filmmaker Treasa O’Brien, living in Ireland, via skype.
Eat Your Children is a provocation, an inside-out activist film, a film that attempts to document the invisible. It is a road-trip quest by two friends who were part of the large emigration statistics who left Ireland during the financial crash of 2008. They returned on an all-island road trip in a borrowed van to probe Ireland’s so-called acceptance of debt and austerity.
The film uses formal observational footage, voxpop, archive material and a visual-essay style to create a rich and accessible tapestry of audiovisual material. It immerses the viewer into world of the protagonist-film-makers – two Irish women living and working in London and Barcelona who return home to find themselves uncovering the modern incarnations of Irish identity, post-colonialism, nationalism, globalization and resistance.
In 2010, the Irish government was on the verge of bankruptcy. In an emergency all-night meeting two years previously it had decided to take responsibility for the debts of its main banks. When the enormity of the debts became apparent Ireland sought a bailout from the EU, IMF and European Central Bank. The €67.5 billion bailout is to be paid back through revenue raised by cuts to education, health and wide scale privatisation, forcing Ireland’s younger population into unemployment, insecurity and emigration. And even when the architect of the ECB package admitted that austerity was ‘not a reasonable way to go’, the Irish people are repeatedly praised in the international press for their stoicism in accepting austerity without anything like the protests and riots seen in Spain, Greece, Portugal and Italy.
This film followed the filmmakers to a gaelic football match, music festivals, ghost estates, the circus, and sites of protest in urban and rural Ireland. Through the road trip, they try to understand Ireland’s identity crisis in the wake of the ‘Celtic Tiger’ and how history and culture affects their attitudes to resistance. Our protagonists meet Irish people on the streets, at protests, and seek answers from sociologists, politicians, historians, economists and activists. Are Irish people really content to pay off private debts of a dead bank? And pass that burden onto their children to boot? Is it because the safety valve of emigration hides the real unemployment? Is the media a fair reflection of what’s happening or does it tell us what to think? How has our revolutionary history and the Troubles in the North affected our ideas of protest? How has globalization and neoliberal politics affected our collective solidarity?