New York Baroque Presents Alchemy: Fire

ALCHEMY: SERIES BASED ON THE CLASSICAL ELEMENTS
NYBI launches Alchemy, a series based on the classical elements: water, air, earth, and fire. Program features a pan-European selection of works by J. S. Bach, Louis-Nicolas Clérambault, George Frideric Handel, Pietro Locatelli, Georg Philip Telemann and Antonio Vivaldi.

FIRE TICKETS > bit.ly/Alchemy-Fire

7:30pm – 9:30pm  

Gallery: $20 advance  | $30 door

Ground Floor: $35 advance  | $45 door

Limited tickets — advance purchase recommended.

 

PROGRAM

George Frideric Handel (1685  1759) Overture; Qualinsolita luce  Caddi, è ver, ma nel cadere; “Ebben, questo tuo Nume  O voi dellErebo from La resurrezione, HWV 47

I rage, I melt, I burn  O ruddier than the cherry from Acis and Galatea

 

Alessandro Scarlatti (1660  1725) Sinfonia avanti la Serenata

Bonaventura Aliotti (1640  1690) Cessi il vostro dolore – Non sospirare no – Se dellombre il from Santa Rosalia

Johann Sebastian Bach (1685  1750) Orchestral Suite No. 3 in D, BWV 1068

Der alte Drache brennt vor neid from Herr Gott, dich loben alle wir, BWV 130

Alles, was von Gott geboren from Ein feste Burg ist unser Gott, BWV 80

 

FEATURING BASS-BARITONE

Dashon Burton

 

ABOUT NYBI
Currently in their 7th season, New York Baroque Incorporated (NYBI) is a conductorless orchestra of period instruments in New York City, bringing vital, informed, and fresh performances of a wide range of 17th and 18th-century repertoire, as well as creating a vibrant landscape for collaborations between historical performance and living composers. NYBI has collaborated with renowned soloists including Richard Egarr, Vivica Genaux, Monica Huggett, and has performed at Carnegie Hall, the Metropolitan Museum of Art, and Spoleto Festival USA. Striving to make period instruments a living art form, NYBI has premiered works by Nico Muhly, Hollis Taylor, and Huang Ruo. The orchestra also dedicates itself to bring to life unknown works of the Baroque, and has revived and presented modern-day premieres of Cavalli’s Veremonda (1652), Aliotti’s Santa Rosalia (1687) and Seckendorff’s Proserpina (1777).

$20-$35











When: Wed., May 22, 2019 at 7:30 pm - 9:30 pm

ALCHEMY: SERIES BASED ON THE CLASSICAL ELEMENTS
NYBI launches Alchemy, a series based on the classical elements: water, air, earth, and fire. Program features a pan-European selection of works by J. S. Bach, Louis-Nicolas Clérambault, George Frideric Handel, Pietro Locatelli, Georg Philip Telemann and Antonio Vivaldi.

FIRE TICKETS > bit.ly/Alchemy-Fire

7:30pm – 9:30pm  

Gallery: $20 advance  | $30 door

Ground Floor: $35 advance  | $45 door

Limited tickets — advance purchase recommended.

 

PROGRAM

George Frideric Handel (1685  1759) Overture; Qualinsolita luce  Caddi, è ver, ma nel cadere; “Ebben, questo tuo Nume  O voi dellErebo from La resurrezione, HWV 47

I rage, I melt, I burn  O ruddier than the cherry from Acis and Galatea

 

Alessandro Scarlatti (1660  1725) Sinfonia avanti la Serenata

Bonaventura Aliotti (1640  1690) Cessi il vostro dolore – Non sospirare no – Se dellombre il from Santa Rosalia

Johann Sebastian Bach (1685  1750) Orchestral Suite No. 3 in D, BWV 1068

Der alte Drache brennt vor neid from Herr Gott, dich loben alle wir, BWV 130

Alles, was von Gott geboren from Ein feste Burg ist unser Gott, BWV 80

 

FEATURING BASS-BARITONE

Dashon Burton

 

ABOUT NYBI
Currently in their 7th season, New York Baroque Incorporated (NYBI) is a conductorless orchestra of period instruments in New York City, bringing vital, informed, and fresh performances of a wide range of 17th and 18th-century repertoire, as well as creating a vibrant landscape for collaborations between historical performance and living composers. NYBI has collaborated with renowned soloists including Richard Egarr, Vivica Genaux, Monica Huggett, and has performed at Carnegie Hall, the Metropolitan Museum of Art, and Spoleto Festival USA. Striving to make period instruments a living art form, NYBI has premiered works by Nico Muhly, Hollis Taylor, and Huang Ruo. The orchestra also dedicates itself to bring to life unknown works of the Baroque, and has revived and presented modern-day premieres of Cavalli’s Veremonda (1652), Aliotti’s Santa Rosalia (1687) and Seckendorff’s Proserpina (1777).

$20-$35

Buy tickets/get more info now