Two authors and friends discuss their books and the writing life, in conversation with poet and editor Deborah Garrison.
Susan Minot’s new novel tells the story of a woman swept into a love affair at mid-life, a luminous tale about erotic obsession and the hunger for intimacy, communication, and oblivion.
Ivy Cooper is 52 years old when Ansel Fleming first walks into her life. Twenty years her junior, a musician newly released from prison on a minor drug charge, Ansel’s beguiling good looks and quiet intensity instantly seduce her. Despite the gulf between their ages and experience the physical chemistry between them is overpowering, and over the heady weeks and months that follow Ivy finds her life bifurcated by his presence: On the surface she is a responsible mother, managing the demands of friends, an ex-husband, home; but emotionally, psychologically, sexually, she is consumed by desire and increasingly alive only in the stolen moments-out-of-time, with Ansel in her bed.
Don’t Be a Stranger is a gripping, sensual, and provocative work from one of the most remarkable voices in contemporary fiction.
This Earthly Globe tells the story of an Italian Renaissance book editor who introduced European minds to the wider world through his passion for geography.
In the autumn of 1550, a thick volume containing a wealth of geographical information new to Europeans, with startling wood-cut maps of Africa, India and Indonesia, was published in Venice under the title Navigationi et Viaggi (Journeys and Navigations). The editor of this remarkable collection of travelogues, journals and classified government reports remained anonymous. Two additional volumes delivered the most accurate information on Asia and the “New World” available at the time. The three volumes together constituted an unparalleled release of geographical data into the public domain. It was, Andrea di Robilant writes, the biggest Wikileak of the Renaissance.
In This Earthly Globe, di Robilant brings to life the palace intrigues, editorial wheedling, delicate alliances, and vibrant curiosity that resulted in this coup by the editor Giovambattista Ramusio. Learned and self-effacing, he gathered a vast array of both popular and closely guarded narratives, from the journals of Marco Polo (he fact-checked them!) to detailed reports on Northern African cultures from the Muslim scholar and diplomat al-Hasan ibn Mohammad al-Wazzan (later known as Leo Africanus). Diverse voices spill out from these chapters as di Robilant recounts how Ramusio pursued the sources, and how he understood both the darker episodes of “exploration” involving colonial violence and the voyage stories that included accounts of people from African and Asian lands, who had a great deal to share about their cultures. The result is a far-flung and delightful homage to one of the founding fathers of modern geography.
Susan Minot is an award-winning novelist, short-story writer, poet, and screenwriter. Her first novel, Monkeys, was published in a dozen countries and won the Prix Femina Étranger in France. Her novel Evening was a worldwide best seller and became a major motion picture.
Andrea di Robilant was born in Italy and educated in the United States at Columbia University, where he specialized in international affairs. After a career in journalism, he now teaches creative writing at the American University in Rome. He is the author of A Venetian Affair; Lucia: A Venetian Life in the Age of Napoleon; Irresistible North: From Venice To Greenland on the Trail of the Zen Brothers; Chasing the Rose and Autumn in Venice: Ernest Hemingway and His Last Muse.
Moderator Deborah Garrison has edited books by both Susan Minot and Andrea di Robilant. She worked at the New Yorker magazine for fifteen years, ultimately becoming the senior nonfiction editor, and is now the poetry editor at Alfred A. Knopf and a senior editor at Pantheon Books, editing both fiction and nonfiction. She is also a poet whose collections include A Working Girl Can’t Win (1998) and The Second Child (2008). John Updike said that her poems “with their short lines, sneaky rhymes, and casual leaps of metaphor, have a Dickinsonian intensity and the American recluse’s air of independent-minded, lightly populated singleness.”
When: Tue., Nov. 26, 2024 at 6:00 pm - 8:00 pm
Where: The New York Society Library
53 E. 79th St.
212-288-6900
Price: $15
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Two authors and friends discuss their books and the writing life, in conversation with poet and editor Deborah Garrison.
Susan Minot’s new novel tells the story of a woman swept into a love affair at mid-life, a luminous tale about erotic obsession and the hunger for intimacy, communication, and oblivion.
Ivy Cooper is 52 years old when Ansel Fleming first walks into her life. Twenty years her junior, a musician newly released from prison on a minor drug charge, Ansel’s beguiling good looks and quiet intensity instantly seduce her. Despite the gulf between their ages and experience the physical chemistry between them is overpowering, and over the heady weeks and months that follow Ivy finds her life bifurcated by his presence: On the surface she is a responsible mother, managing the demands of friends, an ex-husband, home; but emotionally, psychologically, sexually, she is consumed by desire and increasingly alive only in the stolen moments-out-of-time, with Ansel in her bed.
Don’t Be a Stranger is a gripping, sensual, and provocative work from one of the most remarkable voices in contemporary fiction.
This Earthly Globe tells the story of an Italian Renaissance book editor who introduced European minds to the wider world through his passion for geography.
In the autumn of 1550, a thick volume containing a wealth of geographical information new to Europeans, with startling wood-cut maps of Africa, India and Indonesia, was published in Venice under the title Navigationi et Viaggi (Journeys and Navigations). The editor of this remarkable collection of travelogues, journals and classified government reports remained anonymous. Two additional volumes delivered the most accurate information on Asia and the “New World” available at the time. The three volumes together constituted an unparalleled release of geographical data into the public domain. It was, Andrea di Robilant writes, the biggest Wikileak of the Renaissance.
In This Earthly Globe, di Robilant brings to life the palace intrigues, editorial wheedling, delicate alliances, and vibrant curiosity that resulted in this coup by the editor Giovambattista Ramusio. Learned and self-effacing, he gathered a vast array of both popular and closely guarded narratives, from the journals of Marco Polo (he fact-checked them!) to detailed reports on Northern African cultures from the Muslim scholar and diplomat al-Hasan ibn Mohammad al-Wazzan (later known as Leo Africanus). Diverse voices spill out from these chapters as di Robilant recounts how Ramusio pursued the sources, and how he understood both the darker episodes of “exploration” involving colonial violence and the voyage stories that included accounts of people from African and Asian lands, who had a great deal to share about their cultures. The result is a far-flung and delightful homage to one of the founding fathers of modern geography.
Susan Minot is an award-winning novelist, short-story writer, poet, and screenwriter. Her first novel, Monkeys, was published in a dozen countries and won the Prix Femina Étranger in France. Her novel Evening was a worldwide best seller and became a major motion picture.
Andrea di Robilant was born in Italy and educated in the United States at Columbia University, where he specialized in international affairs. After a career in journalism, he now teaches creative writing at the American University in Rome. He is the author of A Venetian Affair; Lucia: A Venetian Life in the Age of Napoleon; Irresistible North: From Venice To Greenland on the Trail of the Zen Brothers; Chasing the Rose and Autumn in Venice: Ernest Hemingway and His Last Muse.
Moderator Deborah Garrison has edited books by both Susan Minot and Andrea di Robilant. She worked at the New Yorker magazine for fifteen years, ultimately becoming the senior nonfiction editor, and is now the poetry editor at Alfred A. Knopf and a senior editor at Pantheon Books, editing both fiction and nonfiction. She is also a poet whose collections include A Working Girl Can’t Win (1998) and The Second Child (2008). John Updike said that her poems “with their short lines, sneaky rhymes, and casual leaps of metaphor, have a Dickinsonian intensity and the American recluse’s air of independent-minded, lightly populated singleness.”
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