ThoughtGallery.org > A Tokyo Romance: Ian Buruma with Darryl Pinckney

A Tokyo Romance: Ian Buruma with Darryl Pinckney

When Ian Buruma arrived in Tokyo in 1975, Japan was little more than an idea in his mind, a fantasy of a distant land. A sensitive misfit in the world of his upper middleclass youth, what he longed for wasn’t so much the exotic as the raw, unfiltered humanity he had experienced in Japanese theater performances and films, witnessed in Amsterdam and Paris. One particular theater troupe, directed by a poet of runaways, outsiders, and eccentrics, was especially alluring, more than a little frightening, and completely unforgettable. If Tokyo was anything like his plays, Buruma knew that he had to join the circus as soon as possible.

Tokyo was an astonishment. Buruma found a feverish and surreal metropolis where nothing was understated—neon lights, crimson lanterns, Japanese pop, advertising jingles, and cabarets. He encountered a city in the midst of an economic boom where everything seemed new, aside from the isolated temple or shrine that had survived the firestorms and earthquakes that had leveled the city during the past century. History remained in fragments: the shapes of wounded World War II veterans in white kimonos, murky old bars that Mishima had cruised in, and the narrow alleys where street girls had once flitted. Buruma’s Tokyo, though, was a city engaged in a radical transformation. And through his adventures in the world of avant garde theater, his encounters with carnival acts, fashion photographers, and moments on-set with Akira Kurosawa, Buruma underwent a radical transformation of his own. For an outsider, unattached to the cultural burdens placed on the Japanese, this was a place to be truly free.

Ian Buruma was educated in Holland and Japan. He has spent many years in Asia, which he has written about in God’s Dust, A Japanese Mirror, and Behind the Mask. He has also written Playing the Game, The Wages of Guilt, and Anglomania. Buruma is currently a fellow at the Woodrow Wilson Institute for the Humanities in Washington, DC.

Darryl Pinckney is the award-winning author of High Cotton and Black Deutschland.











When: Thu., Mar. 8, 2018 at 7:00 pm
Where: McNally Jackson
52 Prince St.
212-274-1160
Price: Free
Buy tickets/get more info now
See other events in these categories:

When Ian Buruma arrived in Tokyo in 1975, Japan was little more than an idea in his mind, a fantasy of a distant land. A sensitive misfit in the world of his upper middleclass youth, what he longed for wasn’t so much the exotic as the raw, unfiltered humanity he had experienced in Japanese theater performances and films, witnessed in Amsterdam and Paris. One particular theater troupe, directed by a poet of runaways, outsiders, and eccentrics, was especially alluring, more than a little frightening, and completely unforgettable. If Tokyo was anything like his plays, Buruma knew that he had to join the circus as soon as possible.

Tokyo was an astonishment. Buruma found a feverish and surreal metropolis where nothing was understated—neon lights, crimson lanterns, Japanese pop, advertising jingles, and cabarets. He encountered a city in the midst of an economic boom where everything seemed new, aside from the isolated temple or shrine that had survived the firestorms and earthquakes that had leveled the city during the past century. History remained in fragments: the shapes of wounded World War II veterans in white kimonos, murky old bars that Mishima had cruised in, and the narrow alleys where street girls had once flitted. Buruma’s Tokyo, though, was a city engaged in a radical transformation. And through his adventures in the world of avant garde theater, his encounters with carnival acts, fashion photographers, and moments on-set with Akira Kurosawa, Buruma underwent a radical transformation of his own. For an outsider, unattached to the cultural burdens placed on the Japanese, this was a place to be truly free.

Ian Buruma was educated in Holland and Japan. He has spent many years in Asia, which he has written about in God’s Dust, A Japanese Mirror, and Behind the Mask. He has also written Playing the Game, The Wages of Guilt, and Anglomania. Buruma is currently a fellow at the Woodrow Wilson Institute for the Humanities in Washington, DC.

Darryl Pinckney is the award-winning author of High Cotton and Black Deutschland.

Buy tickets/get more info now