Film Comment Talk: Eliza Hittman on Never Rarely Sometimes Always

We are delighted to welcome director Eliza Hittman for a discussion about her new film, Never Rarely Sometimes Always, and her already rich body of work. In Never Rarely Sometimes Always—winner of a Special Jury Award at Sundance and Berlin—17-year-old Autumn (Sidney Flanigan) journeys to New York City with her cousin Skylar (Talia Ryder) to seek an abortion. “Hittman’s feeling for adolescence is extremely intuitive, and her approach—in It Felt Like LoveBeach Rats, and now Never Rarely Sometimes Always—is not abstract, sentimental, or intellectual. She is not tempted by melodrama or polemic. Her interest is sensorial and experiential: it’s all about textures and faces, behaviors and silences, how destabilized everything is when you’re young and hormonal and inexperienced . . . She’s in the thick of it with her teenage characters.” (Sheila O’Malley, Film Comment March/April 2020).


Online RSVPs will open on March 13 at noon. Skip the box office by showing your print-at-home ticket (printed or on your mobile device) to the theater usher. You must show up at least 30 minutes in advance or your seat may be forfeited.

Please note: Walk-ups will still be accepted; tickets to be distributed on a space-available basis.











When: Mon., Mar. 16, 2020 at 7:00 pm
Where: Lincoln Center for the Performing Arts
10 Lincoln Center Plaza
212-875-5000
Price: Free
Buy tickets/get more info now
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We are delighted to welcome director Eliza Hittman for a discussion about her new film, Never Rarely Sometimes Always, and her already rich body of work. In Never Rarely Sometimes Always—winner of a Special Jury Award at Sundance and Berlin—17-year-old Autumn (Sidney Flanigan) journeys to New York City with her cousin Skylar (Talia Ryder) to seek an abortion. “Hittman’s feeling for adolescence is extremely intuitive, and her approach—in It Felt Like LoveBeach Rats, and now Never Rarely Sometimes Always—is not abstract, sentimental, or intellectual. She is not tempted by melodrama or polemic. Her interest is sensorial and experiential: it’s all about textures and faces, behaviors and silences, how destabilized everything is when you’re young and hormonal and inexperienced . . . She’s in the thick of it with her teenage characters.” (Sheila O’Malley, Film Comment March/April 2020).


Online RSVPs will open on March 13 at noon. Skip the box office by showing your print-at-home ticket (printed or on your mobile device) to the theater usher. You must show up at least 30 minutes in advance or your seat may be forfeited.

Please note: Walk-ups will still be accepted; tickets to be distributed on a space-available basis.

Buy tickets/get more info now

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