ThoughtGallery.org > Bernhard Hoesli: Collages

Bernhard Hoesli: Collages

On display: 54 collages by architect and educator Bernhard Hoesli illustrating his ongoing exploration of the relationship between painting, architecture, and form, and which parallel his development of the architectural curriculum at the ETH in Zurich.

 

Very intimate in scale, the works, completed between 1963 and 1984, demonstrate a process of making and experimentation, of layering and three dimensionalization, wherein Hoesli revisited and reworked many of the pieces numerous times, some over a period of several years. Known as one of “The Texas Rangers,” Hoesli, in collaboration with colleagues John Hedjuk, Lee Hirsche, Lee Hodgden, Werner Seligmann, John Shaw, Colin Rowe and Robert Slutzky revolutionized architectural education in the United States and Switzerland beginning in the 1950s.

As Hoesli once stated, “First of all we must be clear that by collage one understands, of course, a picture, a type of painting, an object. However, one can also say that this object is the result of a process, a particular kind of approach to shapes, colors and, typically, for collage, scrap paper. So a collage is not only meant as an object, something made, a result, but what is perhaps far more interesting: a process. Moreover, that behind this way of doing something which as a result then leads to a collage, the collage could be meant as an attitude of mind.”

Swiss-born Bernhard Hoesli enrolled in architectural studies at the Swiss Federal Institute of Technology in Zürich in 1943, and received his diploma from the ETH five years later. Subsequently, he worked at the architectural practice of Le Corbusier in Paris and Marseilles, where among other projects, he assisted in the publication of Le Modulor. During this period he also spent time studying painting under Fernand Léger. In 1950 he left Le Corbusier’s practice and came to the United States. A year later, at the invitation of Harwell Harris, director of the School of Architecture at the University of Texas at Austin, he began his influential career in education as a professor at the School of Architecture at the University of Texas at Austin In 1959, Hoesli returned to Zürich and began teaching at the ETH, where he directed the first year architecture design program – the Grundkurs – until 1981. The pedagogy he developed became part of the permanent structure at the ETH curriculum. In addition to running an architecture firm with colleague Werner Aebli in Zürich between 1960 and 1970, Hoesli served as Chairman of the Architecture Department of the ETH from 1968 until 1972, and as university’s Director of the Institute of History and Theory of Architecture (gta) from 1976 until 1980.

WHEN: Exhibition on view: March 25 – April 19, 2014
Opening Reception: Tuesday, March 25, 6:30-8:30 pm
Gallery Hours: Tuesday-Saturday, 12-7 pm

WHERE: The Arthur A. Houghton Jr. Gallery
The Cooper Union, 7 E. 7th St. (between 3rd and 4th avenues.), 2nd floor in Manhattan.
Subways: Astor Place (6), 8th Street (N, R, W)

ADMISSION: Free and open to the general public.

INFO: 212-353-4220, www.cooper.edu, [email protected]

The Cooper Union for the Advancement of Science and Art is a distinguished private college of art, architecture and engineering founded in 1859 by Peter Cooper, an inventor, industrialist and philanthropist.

 











When: Tue., Mar. 25, 2014 - Sat., Apr. 19, 2014 at 12:00 pm - 7:00 pm
Where: The Cooper Union
7 E. 7th St. | 41 Cooper Sq.
212-353-4100
Price: Free
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On display: 54 collages by architect and educator Bernhard Hoesli illustrating his ongoing exploration of the relationship between painting, architecture, and form, and which parallel his development of the architectural curriculum at the ETH in Zurich.

 

Very intimate in scale, the works, completed between 1963 and 1984, demonstrate a process of making and experimentation, of layering and three dimensionalization, wherein Hoesli revisited and reworked many of the pieces numerous times, some over a period of several years. Known as one of “The Texas Rangers,” Hoesli, in collaboration with colleagues John Hedjuk, Lee Hirsche, Lee Hodgden, Werner Seligmann, John Shaw, Colin Rowe and Robert Slutzky revolutionized architectural education in the United States and Switzerland beginning in the 1950s.

As Hoesli once stated, “First of all we must be clear that by collage one understands, of course, a picture, a type of painting, an object. However, one can also say that this object is the result of a process, a particular kind of approach to shapes, colors and, typically, for collage, scrap paper. So a collage is not only meant as an object, something made, a result, but what is perhaps far more interesting: a process. Moreover, that behind this way of doing something which as a result then leads to a collage, the collage could be meant as an attitude of mind.”

Swiss-born Bernhard Hoesli enrolled in architectural studies at the Swiss Federal Institute of Technology in Zürich in 1943, and received his diploma from the ETH five years later. Subsequently, he worked at the architectural practice of Le Corbusier in Paris and Marseilles, where among other projects, he assisted in the publication of Le Modulor. During this period he also spent time studying painting under Fernand Léger. In 1950 he left Le Corbusier’s practice and came to the United States. A year later, at the invitation of Harwell Harris, director of the School of Architecture at the University of Texas at Austin, he began his influential career in education as a professor at the School of Architecture at the University of Texas at Austin In 1959, Hoesli returned to Zürich and began teaching at the ETH, where he directed the first year architecture design program – the Grundkurs – until 1981. The pedagogy he developed became part of the permanent structure at the ETH curriculum. In addition to running an architecture firm with colleague Werner Aebli in Zürich between 1960 and 1970, Hoesli served as Chairman of the Architecture Department of the ETH from 1968 until 1972, and as university’s Director of the Institute of History and Theory of Architecture (gta) from 1976 until 1980.

WHEN: Exhibition on view: March 25 – April 19, 2014
Opening Reception: Tuesday, March 25, 6:30-8:30 pm
Gallery Hours: Tuesday-Saturday, 12-7 pm

WHERE: The Arthur A. Houghton Jr. Gallery
The Cooper Union, 7 E. 7th St. (between 3rd and 4th avenues.), 2nd floor in Manhattan.
Subways: Astor Place (6), 8th Street (N, R, W)

ADMISSION: Free and open to the general public.

INFO: 212-353-4220, www.cooper.edu, [email protected]

The Cooper Union for the Advancement of Science and Art is a distinguished private college of art, architecture and engineering founded in 1859 by Peter Cooper, an inventor, industrialist and philanthropist.

 

Buy tickets/get more info now