ThoughtGallery.org > Book Event—Lola Flash’s “Believable: Traveling with My Ancestors”

Book Event—Lola Flash’s “Believable: Traveling with My Ancestors”

This event is free with Late Night ICP $5 museum admission. 

During Late Night ICP, Lola Flash joins journalist Jenna Wortham for a conversation celebrating the release of Flash’s book Believable: Traveling With My Ancestors (New Press) which acts as a survey of Flash’s decades-long career as a pioneering queer artist.   

This program is being offered both in person at ICP, located on NYC’s Lower East Side, and online. 

About Believable: Traveling With My Ancestors 

The 17th volume in a groundbreaking series of LGBTQ-themed photobooks from The New Press, Believable draws on the extraordinary body of work that Flash has created over four decades, from their iconic Cross Colour images from the 1980s and early 1990s to their more recent photography, which used the framework of Afrofuturism to examine the intersection of Black culture and technoculture and science fiction. Also included in the book are portraits that explore the impact of skin pigmentation on Black identity and consciousness, as well as people who have challenged traditional concepts of gender and trendsetters in the urban underground cultural scene. 

About the Speakers 

Working at the forefront of genderqueer visual politics for more than four decades, photographer Lola Flash’s work challenges stereotypes and gender, sexual, and racial preconceptions. An active member of ACT UP during the time of the AIDS epidemic in New York City, Flash was notably featured in the 1989 “Kissing Doesn’t Kill” poster. Their art and activism are profoundly connected, fueling a life-long commitment to visibility and preserving the legacy of LGBTQIA+ and communities of color worldwide. Flash has work included in important collections such as the Victoria and Albert Museum in London, MoMA, the Whitney, he Museum of the African American of History and Culture and the Brooklyn Museum. They are currently a proud member of the Kamoinge Collective, and on the Board of Queer Art. 

Flash received their bachelor’s degree from Maryland Institute and Masters’ from London College of Printing, in the UK. Flash works primarily in portraiture, engaging those who are often deemed invisible. Flash’s practice is firmly rooted in social justice advocacy around sexual, racial, and cultural difference.  

J Wortham (they/them) is a sound healer, reiki practitioner, herbalist, and community care worker oriented towards healing justice and liberation. J is also a staff writer for The New York Times Magazine, and co-host of the podcast ‘Still Processing,’ They occasionally publish thoughts on culture, technology and wellness in a newsletter. J is the proud editor of the visual anthology Black Futures, a 2020 Editor’s choice by The New York Times Book Review, along with Kimberly Drew, from One World. J is also currently working on a book about the body and dissociation for Penguin Press. J mostly lives and works on stolen Munsee Lenape land, now known as Brooklyn, New York, and is committed to decolonization as a way of life. 











When: Thu., Apr. 20, 2023 at 6:30 pm - 7:30 pm
Where: International Center of Photography (ICP)
79 Essex St.
212-857-0000
Price: $5
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This event is free with Late Night ICP $5 museum admission. 

During Late Night ICP, Lola Flash joins journalist Jenna Wortham for a conversation celebrating the release of Flash’s book Believable: Traveling With My Ancestors (New Press) which acts as a survey of Flash’s decades-long career as a pioneering queer artist.   

This program is being offered both in person at ICP, located on NYC’s Lower East Side, and online. 

About Believable: Traveling With My Ancestors 

The 17th volume in a groundbreaking series of LGBTQ-themed photobooks from The New Press, Believable draws on the extraordinary body of work that Flash has created over four decades, from their iconic Cross Colour images from the 1980s and early 1990s to their more recent photography, which used the framework of Afrofuturism to examine the intersection of Black culture and technoculture and science fiction. Also included in the book are portraits that explore the impact of skin pigmentation on Black identity and consciousness, as well as people who have challenged traditional concepts of gender and trendsetters in the urban underground cultural scene. 

About the Speakers 

Working at the forefront of genderqueer visual politics for more than four decades, photographer Lola Flash’s work challenges stereotypes and gender, sexual, and racial preconceptions. An active member of ACT UP during the time of the AIDS epidemic in New York City, Flash was notably featured in the 1989 “Kissing Doesn’t Kill” poster. Their art and activism are profoundly connected, fueling a life-long commitment to visibility and preserving the legacy of LGBTQIA+ and communities of color worldwide. Flash has work included in important collections such as the Victoria and Albert Museum in London, MoMA, the Whitney, he Museum of the African American of History and Culture and the Brooklyn Museum. They are currently a proud member of the Kamoinge Collective, and on the Board of Queer Art. 

Flash received their bachelor’s degree from Maryland Institute and Masters’ from London College of Printing, in the UK. Flash works primarily in portraiture, engaging those who are often deemed invisible. Flash’s practice is firmly rooted in social justice advocacy around sexual, racial, and cultural difference.  

J Wortham (they/them) is a sound healer, reiki practitioner, herbalist, and community care worker oriented towards healing justice and liberation. J is also a staff writer for The New York Times Magazine, and co-host of the podcast ‘Still Processing,’ They occasionally publish thoughts on culture, technology and wellness in a newsletter. J is the proud editor of the visual anthology Black Futures, a 2020 Editor’s choice by The New York Times Book Review, along with Kimberly Drew, from One World. J is also currently working on a book about the body and dissociation for Penguin Press. J mostly lives and works on stolen Munsee Lenape land, now known as Brooklyn, New York, and is committed to decolonization as a way of life. 

Buy tickets/get more info now