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Marino Marini and Henry Moore: An Italian Friendship

The talk will explore the friendship between two of the most celebrated sculptors of the 20th century, Henry Moore and Marino Marini. Having met through the New York art dealer Curt Valentin, throughout the 1960s and 1970s they often spent time together on the coast of Tuscany in Italy, where Marini lived and Moore had a holiday home. In 1962 Marini made a portrait bust of Moore at his Forte dei Marmi villa. United by a love for Michelangelo’s sculpture, which was famously made from marble sourced from the nearby quarries in Carrara, and by a desire to both revisit and modernize the European tradition of sculpture, of which Tuscany offered many exceptional examples, Moore and Marini shared many creative concerns and greatly admired each other. The talk will also consider the network of friendships and professional contacts around the two sculptors, from the master carvers at stone merchants Henraux to prominent artists and intellectuals such as Jacques Lipchitz and Eugenio Montale.

Sebastiano Barassi is the Head of Collections & Exhibitions at the Henry Moore Foundation in the United Kingdom. Before joining the Foundation he was the Curator of Collections at Kettle’s Yard, University of Cambridge (2001–12) and worked at the Courtauld Institute Gallery in London (1999–2001). He regularly curates exhibitions and contributes to publications about Henry Moore and 20th century sculpture. They include Henry Moore at Houghton Hall (Norfolk, 2019), Henry Moore Drawings: The Art of Seeing (Henry Moore Studios & Gardens, 2019), Henry Moore: Obsession, Vision, Creation (Arp Museum Banhof, Rolandseck 2017), Becoming Henry Moore (Henry Moore Studios & Gardens and Henry Moore Institute, Leeds 2017), Henry Moore: Arte en la Calle (15 cities in Spain 2014–17), We the Moderns: Gaudier-Brzeska and the Birth of Modern Sculpture (Kettle’s Yard, Cambridge 2007) and Immaterial: Brancusi, Gabo, Moholy-Nagy (Kettle’s Yard, Cambridge 2004).

Please, join us for a prior to the lecture for a complimentary reception with a wine tasting and hors d’oeuvres hosted by Santi Wines.











When: Tue., Jan. 14, 2020 at 6:00 pm - 8:00 pm
Where: Center for Italian Modern Art
421 Broome St., 4th floor
646-370-3596
Price: $10
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The talk will explore the friendship between two of the most celebrated sculptors of the 20th century, Henry Moore and Marino Marini. Having met through the New York art dealer Curt Valentin, throughout the 1960s and 1970s they often spent time together on the coast of Tuscany in Italy, where Marini lived and Moore had a holiday home. In 1962 Marini made a portrait bust of Moore at his Forte dei Marmi villa. United by a love for Michelangelo’s sculpture, which was famously made from marble sourced from the nearby quarries in Carrara, and by a desire to both revisit and modernize the European tradition of sculpture, of which Tuscany offered many exceptional examples, Moore and Marini shared many creative concerns and greatly admired each other. The talk will also consider the network of friendships and professional contacts around the two sculptors, from the master carvers at stone merchants Henraux to prominent artists and intellectuals such as Jacques Lipchitz and Eugenio Montale.

Sebastiano Barassi is the Head of Collections & Exhibitions at the Henry Moore Foundation in the United Kingdom. Before joining the Foundation he was the Curator of Collections at Kettle’s Yard, University of Cambridge (2001–12) and worked at the Courtauld Institute Gallery in London (1999–2001). He regularly curates exhibitions and contributes to publications about Henry Moore and 20th century sculpture. They include Henry Moore at Houghton Hall (Norfolk, 2019), Henry Moore Drawings: The Art of Seeing (Henry Moore Studios & Gardens, 2019), Henry Moore: Obsession, Vision, Creation (Arp Museum Banhof, Rolandseck 2017), Becoming Henry Moore (Henry Moore Studios & Gardens and Henry Moore Institute, Leeds 2017), Henry Moore: Arte en la Calle (15 cities in Spain 2014–17), We the Moderns: Gaudier-Brzeska and the Birth of Modern Sculpture (Kettle’s Yard, Cambridge 2007) and Immaterial: Brancusi, Gabo, Moholy-Nagy (Kettle’s Yard, Cambridge 2004).

Please, join us for a prior to the lecture for a complimentary reception with a wine tasting and hors d’oeuvres hosted by Santi Wines.

Buy tickets/get more info now