Kaelen Wilson-Goldie, writer, critic, and contributing editor, Bidoun, will explore the multiplicity of modern abstract painting from Lebanon—from Etel Adnan’ evocations of landscape to Huguette Caland’s suggestions of self-portraiture, from Saloua Raouda Choucair’s distilled forms to Saliba Douaihy’s intimations of the divine.
Co-sponsored by NYU’s Hagop Kevorkian Center for Near Eastern Studies and Grey Art Gallery.
Silver Center, Room 300 (enter at 32 Waverly Place, or 31 Washington Place for wheelchair access)