ThoughtGallery.org > Screening: THE HEIRESSES and Q&A with Filmmaker Marcelo Martinessi and Star Ana Brun Moderated by Nick McCarthy of NewFest

Screening: THE HEIRESSES and Q&A with Filmmaker Marcelo Martinessi and Star Ana Brun Moderated by Nick McCarthy of NewFest

NEW YORK TIMES’ CRITIC’S PICK

moneyed elite – until the money runs out. Now they spend their days selling their furniture, glassware, and silver to whoever will make them an offer. When Chiquita, the more garrulous and resilient of the two women, is sent to prison, Chela has to cope with loneliness and incipient poverty. Then a new option develops. The movie is anchored by two extraordinary, magnetic performances (Ana Brun as Chela won the Best Actress prize in Berlin) that suggest the untold inner resources of its principal characters. The director credits Rainer Werner Fassbinder’s THE BITTER TEARS OF PETRA VON KANT as an important influence, describing THE HEIRESSES as “a coming-of-age film for a 60-year-old woman.”

Presented with support from the R.G. Rifkind Foundation Endowment for Queer Cinema

PARAGUAY/GERMANY/BRAZIL/URUGUAY/NORWAY/FRANCE   2018   98 MINS

IN SPANISH WITH ENGLISH SUBTITLES      DISTRIB FILMS US











When: Sat., Jan. 19, 2019 at 4:50 pm - 8:00 pm
Where: Film Forum
209 W. Houston St.
212-727-8110
Price: $9 Member, $15 Regular
Buy tickets/get more info now
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NEW YORK TIMES’ CRITIC’S PICK

moneyed elite – until the money runs out. Now they spend their days selling their furniture, glassware, and silver to whoever will make them an offer. When Chiquita, the more garrulous and resilient of the two women, is sent to prison, Chela has to cope with loneliness and incipient poverty. Then a new option develops. The movie is anchored by two extraordinary, magnetic performances (Ana Brun as Chela won the Best Actress prize in Berlin) that suggest the untold inner resources of its principal characters. The director credits Rainer Werner Fassbinder’s THE BITTER TEARS OF PETRA VON KANT as an important influence, describing THE HEIRESSES as “a coming-of-age film for a 60-year-old woman.”

Presented with support from the R.G. Rifkind Foundation Endowment for Queer Cinema

PARAGUAY/GERMANY/BRAZIL/URUGUAY/NORWAY/FRANCE   2018   98 MINS

IN SPANISH WITH ENGLISH SUBTITLES      DISTRIB FILMS US

Buy tickets/get more info now