ThoughtGallery.org > Sudhir Hazareesingh on Toussaint Louverture, with Amy Wilentz

Sudhir Hazareesingh on Toussaint Louverture, with Amy Wilentz

Among the defining figures of the Age of Revolution, Toussaint Louverture is the most enigmatic. Though the Haitian revolutionary’s image has multiplied across the globe—appearing on banknotes and in bronze, on T-shirts and in film—the only definitive portrait executed in his lifetime has been lost. Well versed in the work of everyone from Machiavelli to Rousseau, he was nonetheless dismissed by Thomas Jefferson as a “cannibal.” A Caribbean acolyte of the European Enlightenment, Toussaint nurtured a class of black Catholic clergymen who became one of the pillars of his rule, while his supporters also believed he communicated with vodou spirits. And for a leader who once summed up his modus operandi with the phrase “Say little but do as much as possible,” he was a prolific and indefatigable correspondent, famous for exhausting the five secretaries he maintained, simultaneously, at the height of his power in the 1790s.

Employing groundbreaking archival research and a keen interpretive lens, Sudhir Hazareesingh restores Toussaint to his full complexity in Black Spartacus. At a time when his subject has, variously, been reduced to little more than a one-dimensional icon of liberation or criticized for his personal failings—his white mistresses, his early ownership of slaves, his authoritarianism—Hazareesingh proposes a new conception of Toussaint’s understanding of himself and his role in the Atlantic world of the late eighteenth century. Black Spartacus is a work of both biography and intellectual history, rich with insights into Toussaint’s fundamental hybridity—his ability to unite European, African, and Caribbean traditions in the service of his revolutionary aims. Hazareesingh offers a new and resonant interpretation of Toussaint’s racial politics, showing how he used Enlightenment ideas to argue for the equal dignity of all human beings while simultaneously insisting on his own world-historical importance and the universal pertinence of blackness—a message which chimed particularly powerfully among African Americans.

Sudhir Hazareesingh was born in Mauritius. He is a Fellow of the British Academy and has been a Fellow and Tutor in Politics at Balliol College, Oxford, since 1990. He has written extensively about French intellectual and cultural history, and among his books are The Legend of Napoleon, In the Shadow of the General and How the French Think. He won the Prix du Mémorial d’Ajaccio and the Prix de la Fondation Napoléon for the first of these, a Prix d’Histoire du Sénat for the second, and the Grand Prix du Livre d’Idées for the third.

Amy Wilentz is the author of Farewell Fred Voodoo: A Letter From Haiti (2013), The Rainy Season: Haiti Since Duvalier(1990), Martyrs’ Crossing (2000), and I Feel Earthquakes More Often Than They Happen: Coming to California in the Age of Schwarzenegger (2006). She is the winner of the Whiting Writers Award, the PEN Martha Albrand Non-Fiction Award, and the American Academy of Arts and Letters Rosenthal Award. In 1990 she was shortlisted for the National Book Critics Circle Award for nonfiction for The Rainy Season. She won the 2013 National Book Critics Circle Award for memoir for Farewell, Fred Voodoo, and was awarded a Guggenheim Fellowship in general nonfiction in 2020.











When: Thu., Oct. 1, 2020 at 2:00 pm - 3:00 pm
Where: Graduate Center, CUNY
365 Fifth Ave.
212-817-7000
Price: Free
Buy tickets/get more info now
See other events in these categories:

Among the defining figures of the Age of Revolution, Toussaint Louverture is the most enigmatic. Though the Haitian revolutionary’s image has multiplied across the globe—appearing on banknotes and in bronze, on T-shirts and in film—the only definitive portrait executed in his lifetime has been lost. Well versed in the work of everyone from Machiavelli to Rousseau, he was nonetheless dismissed by Thomas Jefferson as a “cannibal.” A Caribbean acolyte of the European Enlightenment, Toussaint nurtured a class of black Catholic clergymen who became one of the pillars of his rule, while his supporters also believed he communicated with vodou spirits. And for a leader who once summed up his modus operandi with the phrase “Say little but do as much as possible,” he was a prolific and indefatigable correspondent, famous for exhausting the five secretaries he maintained, simultaneously, at the height of his power in the 1790s.

Employing groundbreaking archival research and a keen interpretive lens, Sudhir Hazareesingh restores Toussaint to his full complexity in Black Spartacus. At a time when his subject has, variously, been reduced to little more than a one-dimensional icon of liberation or criticized for his personal failings—his white mistresses, his early ownership of slaves, his authoritarianism—Hazareesingh proposes a new conception of Toussaint’s understanding of himself and his role in the Atlantic world of the late eighteenth century. Black Spartacus is a work of both biography and intellectual history, rich with insights into Toussaint’s fundamental hybridity—his ability to unite European, African, and Caribbean traditions in the service of his revolutionary aims. Hazareesingh offers a new and resonant interpretation of Toussaint’s racial politics, showing how he used Enlightenment ideas to argue for the equal dignity of all human beings while simultaneously insisting on his own world-historical importance and the universal pertinence of blackness—a message which chimed particularly powerfully among African Americans.

Sudhir Hazareesingh was born in Mauritius. He is a Fellow of the British Academy and has been a Fellow and Tutor in Politics at Balliol College, Oxford, since 1990. He has written extensively about French intellectual and cultural history, and among his books are The Legend of Napoleon, In the Shadow of the General and How the French Think. He won the Prix du Mémorial d’Ajaccio and the Prix de la Fondation Napoléon for the first of these, a Prix d’Histoire du Sénat for the second, and the Grand Prix du Livre d’Idées for the third.

Amy Wilentz is the author of Farewell Fred Voodoo: A Letter From Haiti (2013), The Rainy Season: Haiti Since Duvalier(1990), Martyrs’ Crossing (2000), and I Feel Earthquakes More Often Than They Happen: Coming to California in the Age of Schwarzenegger (2006). She is the winner of the Whiting Writers Award, the PEN Martha Albrand Non-Fiction Award, and the American Academy of Arts and Letters Rosenthal Award. In 1990 she was shortlisted for the National Book Critics Circle Award for nonfiction for The Rainy Season. She won the 2013 National Book Critics Circle Award for memoir for Farewell, Fred Voodoo, and was awarded a Guggenheim Fellowship in general nonfiction in 2020.

Buy tickets/get more info now