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Screening & Discussion: Warhol’s Factory Workers

In this double bill, we present two of the foundational works of the 1960’s underground on glorious 16 mm, Flaming Creatures (Jack Smith, 1963, 45 min) and Camp (Andy Warhol, 1965, 67 min), inspired by our upcoming exhibition, Mod New York: Fashion Takes a Trip (opens November 22). Following the screening join Claire Henry, Associate Curator of the Andy Warhol Film Project, and Tom Kalin, Professor of Film at Columbia University School of the Arts, for a discussion of the films.

Includes Museum admission and complimentary beer courtesy of Harlem Blue.

Flaming Creatures (Jack Smith, 1963, 45 min)
From the late summer into the early fall of 1962, on $300 and the sun-beaten rooftop of an old East Village movie house, Jack Smith labored to consecrate a new kind of cinema, one where, as he once wrote, “it is possible to clown, to pose, to act out fantasies, to not be seen while one gives.” The result was an ethereal vision, fashioned from buckets of plaster and beds of flowers, from garbage and gauze, but above all from bodies clothed and unclothed, male, female, and indistinguishable, dancing and writhing against a single, nine foot square backdrop of a painted vase. Alternately revered and denounced, pulled from circulation and later retrieved, here is the film itself, bold, unblushing, and beautiful.

Camp (Andy Warhol, 1965, 67 min)
Jack Smith himself appears in this absurdist rejoinder to Susan Sontag’s official statement on the eponymous theme, performing alongside Jane Holzer, Paul Swan, Dorothy Dean, and his own beloved star Mario Montez (also in Flaming Creatures) in a variety show led by Gerard Malanga. While Andy Warhol, the famous man behind the camera, crashes the zoom with cultivated impreciseness, Tally Brown seizes the frame’s scattered attention long enough to intone the film’s moral point: “I don’t think anybody’s camping – I think we’re all doing ourselves.”

This event is part of the second season of our nonfiction film series, Smile, It’s Your Close Up: New York’s Documentaries, co-programmed with Jessica Green and Edo Choi of the Maysles Documentary Center, which zooms in on key moments, individuals, and communities to pose the question: “What makes New York New York?” To view all of the programs in the series, click here.











When: Wed., Dec. 6, 2017 at 6:30 pm - 8:30 pm
Where: Museum of the City of New York
1220 Fifth Ave.
212-534-1672
Price: $15 for adults | $12 for seniors, students, and educators (with ID) | $10 for Museum and Maysles Documentary Center Members
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In this double bill, we present two of the foundational works of the 1960’s underground on glorious 16 mm, Flaming Creatures (Jack Smith, 1963, 45 min) and Camp (Andy Warhol, 1965, 67 min), inspired by our upcoming exhibition, Mod New York: Fashion Takes a Trip (opens November 22). Following the screening join Claire Henry, Associate Curator of the Andy Warhol Film Project, and Tom Kalin, Professor of Film at Columbia University School of the Arts, for a discussion of the films.

Includes Museum admission and complimentary beer courtesy of Harlem Blue.

Flaming Creatures (Jack Smith, 1963, 45 min)
From the late summer into the early fall of 1962, on $300 and the sun-beaten rooftop of an old East Village movie house, Jack Smith labored to consecrate a new kind of cinema, one where, as he once wrote, “it is possible to clown, to pose, to act out fantasies, to not be seen while one gives.” The result was an ethereal vision, fashioned from buckets of plaster and beds of flowers, from garbage and gauze, but above all from bodies clothed and unclothed, male, female, and indistinguishable, dancing and writhing against a single, nine foot square backdrop of a painted vase. Alternately revered and denounced, pulled from circulation and later retrieved, here is the film itself, bold, unblushing, and beautiful.

Camp (Andy Warhol, 1965, 67 min)
Jack Smith himself appears in this absurdist rejoinder to Susan Sontag’s official statement on the eponymous theme, performing alongside Jane Holzer, Paul Swan, Dorothy Dean, and his own beloved star Mario Montez (also in Flaming Creatures) in a variety show led by Gerard Malanga. While Andy Warhol, the famous man behind the camera, crashes the zoom with cultivated impreciseness, Tally Brown seizes the frame’s scattered attention long enough to intone the film’s moral point: “I don’t think anybody’s camping – I think we’re all doing ourselves.”

This event is part of the second season of our nonfiction film series, Smile, It’s Your Close Up: New York’s Documentaries, co-programmed with Jessica Green and Edo Choi of the Maysles Documentary Center, which zooms in on key moments, individuals, and communities to pose the question: “What makes New York New York?” To view all of the programs in the series, click here.

Buy tickets/get more info now