Triple Canopy Presents: Media Replication Services

How are the status and meaning of an artwork—whether an Ancient Greek statuary, a digital photograph, or an American naïve painting—altered through the creation of facsimiles, through exhibition, through the conversion of the object into image or code? How might reproduction, as an aesthetic strategy and a political act, present us with alternatives to the current, convoluted understanding of information as property? Media Replication Services will consist of presentations, performances, and provocations in response to these questions by artist William Pope.L, scholar Lisa Gitelman, and poet Caroline Bergvall, facilitated by Triple Canopy editors. The three participants will consider, as points of departure, forms of reproduction enacted in Triple Canopy’s 2014 Biennial installation, Pointing Machines.











When: Sat., Apr. 26, 2014 at 6:30 pm
Where: Whitney Museum of American Art
99 Gansevoort St.
212-570-3600
Price: $8
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How are the status and meaning of an artwork—whether an Ancient Greek statuary, a digital photograph, or an American naïve painting—altered through the creation of facsimiles, through exhibition, through the conversion of the object into image or code? How might reproduction, as an aesthetic strategy and a political act, present us with alternatives to the current, convoluted understanding of information as property? Media Replication Services will consist of presentations, performances, and provocations in response to these questions by artist William Pope.L, scholar Lisa Gitelman, and poet Caroline Bergvall, facilitated by Triple Canopy editors. The three participants will consider, as points of departure, forms of reproduction enacted in Triple Canopy’s 2014 Biennial installation, Pointing Machines.

Buy tickets/get more info now