Duane Michals: Empty New York on the 2nd Floor
Where: The Strand
212-473-1452 Price: $5-$35
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Join us in the 2nd Floor Art Department as Duane Michals publshes his new book, a collection of photographs documenting the still and empty moments on various iconic New York City locales.
Having discovered his vocation for photography in 1958 while on holiday in the USSR, in 1964-65 Duane Michals began to document New York City in a tantalisingly unfamiliar guise, virtually empty of inhabitants at dawn or dusk. In deeply evocative black-and-white images he depicted storefronts and interiors; deserted stations, subway cars, funfairs and arcades; derelict markets, vacant theatres and diners.
Already the hallmarks of his mature style were apparent: a fascination with the sequencing of his images as a way of establishing a narrative, an understanding of the emotive power of locations as sites of epiphany, an instinctive ability to frame the subject within the view-finder and to draw out its atmosphere from the available natural lighting, and a concentration on incidental details and amusing juxtapositions. He soon recognised the potential of these locations as stage sets for the human dramas that he began to make a few years later and on which his reputation as an artist was to rest. It is no exaggeration to say that through his Empty New York images, only a very few of which have been published or exhibited before, he discovered his voice as an artist photographer whose work is full of poetry and a yearning for spiritual fulfilment.
Day after day Michals would rise at dawn to capture unpeopled sidewalks, bridges and parking lots, architectural fragments, the Hudson River, cityscapes in the mist, skyscrapers and urban nature reflected in the puddles of Central Park.
Beautifully realised and now achingly nostalgic, the photographs in Empty New York show us the city frozen in time, just as Eugène Atget, one of Michals’ heroes, commemorated Paris in the early years of the twentieth century. A social history and also a photographic reportage, Duane Michals’ pictorial poem reminds us with every frame how he has earned his place among the greats of American photography.